1. LOVE LOOK AWAY - Age 26 (1952) 

2. LA DONNA e MOBILE - Age 24 (1950)

3. SI MES VERS - Age 38 (1964)

4. SPIRTO GENTIL - Age 21 (1947)

5. L'ULTIMA CANZONE - Age 17 (1943)

6. THE LIGHT - Age 24 (1950)

7. LE MIRIOR - Age 24 (1950)

8. CORE 'NGRATO - Age 26 (1952)

9. SUNSHINE OF YOUR SMILE - Age 22 (1948)

10. DI QUELLA PIRA - Age 35 (1961)

11. THE NIGHTINGALE & THE ROSE - Age 38 (1964)

12. ARIA - A MASKED BALL - Age 29 (1955)​

13. TOMB ARIA - ROMEO et JULIETTE - Age 46 (1972)​

MUSIC page 3

THRU THE YEARS - THE PLATINUM SERIES VOL. I​I

LOVE SONGS, ART SONGS, OPERA ARIAS & SACRED REPERTOIRE

​From the sadness of the contemporary classic about love lost, 'Love Look Away,' and Keith's dramatic interpretation of the Neapolitan 'Core 'ngrato' (Ungrateful Heart), to his first recording as a tenor at age twenty-one, the angelic aria 'Spirto gentil,' Thru The Years Vol. II continues the varied theme of selections found on Vol. I. Also here is his orchestra accompanied live-on-KFI Radio singing of the popular contemporary song, 'The Sunshine of Your Smile,' recorded during The Hollywood Bowl Auditions contest of 1949. There are Art Songs: the rarely-recorded obscure and affecting 'The Light,' and Keith's first rendition of 'Le mirior,' both are interpreted with artistry.  There are two live offerings from a Redlands Bowl concert: 'Si mes vers' and 'The Nightingale and The Rose,' and an aria from Verdi's opera, 'A Masked Ball,' sung in English and recorded during one of several performances with the USC Opera Theater. One of the most well known opera arias, 'La donna e mobile,' is here, as is his live at Redlands Bowl opera performance of 'Di quella pira,' from Il Trovatore. As on Thru The Years Volume I, a recording Keith considered among his best is included to complement this collection. That song is the 'Tomb aria' from Romeo et Juliette.​

​​"Keith Wyatt's Manrico was full of fervor and ringing tones. His 'Di quella pira,' with the thrilling backing of the men's chorus, was a knockout, to use a mundane expression." (more)

"I was in good voice the day I recorded the 'Tomb Aria' but the arthritis in my hands were severe, and I didn't know if I could perform. But when I began to play the pain vanished, this recording is one of my favorites." Keith Wyatt

​​​KEITH WYATT

*Note: The source material for this CD is derived from analog tape. White every attempt has been made to minimize the technical imperfections of the original recordings certain sound irregularities remain. Radical methods have not been used in order to preserve the full-frequency content of the original recordings.